Admission is granted through application to the Office of Special Collections. B160 and B173 bear artist's instructions for printing. B161 bears artist's signature and B169 bears artist's inscription describing the state. B161 does not have the roulette work as described for the 3rd state by James Goodfriend. Forms part of Samuel Putnam Avery Collection. Gift of Samuel Putnam Avery, 1900. BG128, BG155, BG159 and BG160 bear stamp of Felix Buhot (Lugt 977) Holdings checked in departmental copy of James Goodfriend's revision of Gustave Bourcard, Felix Buhot, catalogue descriptif de son oeuvre g
Admission is granted through application to the Office of Special Collections. B160 and B173 bear artist's instructions for printing. B161 bears artist's signature and B169 bears artist's inscription describing the state. B161 does not have the roulette work as described for the 3rd state by James Goodfriend. Forms part of Samuel Putnam Avery Collection. Gift of Samuel Putnam Avery, 1900. BG128, BG155, BG159 and BG160 bear stamp of Felix Buhot (Lugt 977) Holdings checked in departmental copy of James Goodfriend's revision of Gustave Bourcard, Felix Buhot, catalogue descriptif de son oeuvre grave. In B157 the first person is still visible and not almost completely erased as described for the 4th state by James Goodfriend. In B173 the Basilica de San Pietro is drawn in pencil. Prints whose subjects include boats, carriages, churches, crowds, dead animals, docks, dogs, domes, funeral processions, gabares, ghosts, horses, lanterns, owls, papal tiaras, poetry, snow, streets, taverns, and views of Basilica de San Pietro, London, including the Thames River and Westminster and Paris. Many prints include extensive remarques. S. P. Avery Collection. Title devised by cataloger. Citation/Reference: 169(I/II).; La messe de minuit.
Size: 3931px × 5086px
Photo credit: © Bravo Images / Alamy / Afripics
License: Licensed
Model Released: No
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