. Studio international . it as untrue tonature and take no moreinterest in it. For thismay be an opportunityfor us to add a different,and perhaps a finer, ex-perience to our own: a Falkland16 chance of extending our emotional horizon, ofwidening our sympathies, of increasing ourknowledge. We have not got nature in ourpocket to apply as a test of this picturesveracity: neither has any one else, nor anyacademical body, past or present. For nature isnot known, and this may be our chance of initia-tion into one of her fascinating mysteries—theemotional experience of another, and perhaps awiser man
. Studio international . it as untrue tonature and take no moreinterest in it. For thismay be an opportunityfor us to add a different,and perhaps a finer, ex-perience to our own: a Falkland16 chance of extending our emotional horizon, ofwidening our sympathies, of increasing ourknowledge. We have not got nature in ourpocket to apply as a test of this picturesveracity: neither has any one else, nor anyacademical body, past or present. For nature isnot known, and this may be our chance of initia-tion into one of her fascinating mysteries—theemotional experience of another, and perhaps awiser man. His contemporaries would not lookat Monticellis work because they had never seenanything like it. It was worth the suspension ofjudgment. They were entertaining angels un-awares. A study of a Cadenhead drawing never suggeststhe impression of anything merely experimental,tentative, risked, as one may find occasionally inthe masterly efforts of Mr. Wilson Steer or in themore daring brilliances of Mr. Sargent. Yet there. FROM A WATEiRCOLOUR BY JAMES CADENHEAD,
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