Sweet Melancholy, 1756. The chair, brazier, table, and the setting all show Vien's interest in bringing archaeological accuracy to a new level of precision. Yet his delicate handling and graceful palette derive squarely from 18th-century French painting. The gesture of the melancholic figure, with her head on her hand, has roots going back to the Renaissance. Nonetheless, the painting has a wistful rather than tragic tone. Indeed, images of women in interiors, contemplating a letter with longing or sadness, derive from earlier Dutch paintings of daily life, here transformed into an ancient con
Sweet Melancholy, 1756. The chair, brazier, table, and the setting all show Vien's interest in bringing archaeological accuracy to a new level of precision. Yet his delicate handling and graceful palette derive squarely from 18th-century French painting. The gesture of the melancholic figure, with her head on her hand, has roots going back to the Renaissance. Nonetheless, the painting has a wistful rather than tragic tone. Indeed, images of women in interiors, contemplating a letter with longing or sadness, derive from earlier Dutch paintings of daily life, here transformed into an ancient context.
Size: 4450px × 5500px
Photo credit: © Heritage Art/Heritage Images / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: 1716-1809, 18th, art, canvas, century, cleveland, france, french, heritage, joseph-marie, museum, oil, painting, vien
