. Harmony : a course of study . ;- -&- -C|f--b s •—F- r ? 1 »—^—«—*—! »—fi» »-* • H :M* r r-ri -1—j=jf—1-:| F f-t TTf ^ H Write original periods, with pedal notes in upper and middle voi- ces. LESSON LXV. MELODIC FIGURATION. The elaboration and embellishment of a melody by means of non-harmonic tones is called figuration. The nonharmonic tones areoften combined with the harmonic, in arpeggio forms and otherwise,and all forms of nonharmonic tones may be utilized. 208 HARMONY. The following examples illustrate melodic variation oi a givenmelody, the fundamental harmony remaining unchanged : (a.)
. Harmony : a course of study . ;- -&- -C|f--b s •—F- r ? 1 »—^—«—*—! »—fi» »-* • H :M* r r-ri -1—j=jf—1-:| F f-t TTf ^ H Write original periods, with pedal notes in upper and middle voi- ces. LESSON LXV. MELODIC FIGURATION. The elaboration and embellishment of a melody by means of non-harmonic tones is called figuration. The nonharmonic tones areoften combined with the harmonic, in arpeggio forms and otherwise,and all forms of nonharmonic tones may be utilized. 208 HARMONY. The following examples illustrate melodic variation oi a givenmelody, the fundamental harmony remaining unchanged : (a.) Original melody. 280. -;2-t>-fr-H-^= -£—• -•—#— Beethoven. P=P gg^^Nlg^fet^gEBtlsl (6.) Figuration. rrra SEtte^f-**^* fc.) Another figuration. g^a^^fe^^^^^^^g^^^^^^^^ £» ft^ fiurfrTr# rfT>! rfri fi-ci -rrrbr tf£«f?r»fr: £ (a.) Original melody. 281 fcs ±=~r=-w==t- « ?EE Chopin. :f—i^-*- (£.) Figuration. 5 mm rii» rrrrrt FR 11 H ^ y .HARMONY. >00, (a.) Original Brahms. Pi^ etc. SSSillgiSsip^! The following example shows the different species of nonharmonictones, applied to a single given tone : (D) AccentedAppoggiatura Accented passingAnticipation. tone. 283.
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