. Keramic studio. SALTS AND PEPPERS—ALBERT W. HECKMAN To be executed in gold with a touch of color in the border as the design may suggest. Use a light wash of the same color for the bottom part. 74 RERAMIC STUDIO Examples of musical themes in design: 1. 2. More pleasing because of slight variation oftime or space. (Always place lines close enough to get goodproportion.) 3. Variety adds interest. 4. Savage (straightline) ornament repeats at intervals. 1 I II II 11 II II II II M\l\l\l\ ■ Your exercise must express emotion. Vary your borderwith slant lines; dots may be used t
. Keramic studio. SALTS AND PEPPERS—ALBERT W. HECKMAN To be executed in gold with a touch of color in the border as the design may suggest. Use a light wash of the same color for the bottom part. 74 RERAMIC STUDIO Examples of musical themes in design: 1. 2. More pleasing because of slight variation oftime or space. (Always place lines close enough to get goodproportion.) 3. Variety adds interest. 4. Savage (straightline) ornament repeats at intervals. 1 I II II 11 II II II II M\l\l\l\ ■ Your exercise must express emotion. Vary your borderwith slant lines; dots may be used to add to the interest. Ifthe design seems scattered, perhaps adding another dot willmake it more satisfactory. There is no limit to what may be accomplished with theline and dot proportions. Indians use lines alone for motifs;for example, the tent and post and the tree motif.
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Keywords: ., bookcentury1800, bookdecade189, booksubjectdecorationandornament
