. International studio. -, ho knows if iiexaggerati ot in op- posh ? tdon this a li- ft! A R C H 9 2 2 inceRriAcionAL SOTPtt©. gury, for we may be wit-nessing the social paroxysm which often precedes the turn in the tide towarda new harmony between the arts and life. Nevertheless, the picture, especially thatpainted in oils, enjoys a favor commercially whichit has not enjoyed at any former period. It hasbecome a marketable value, a most useful articleof international exchange and speculation. And,while the public professes to be saturated with theoverwhelming production, it attends all theSalo
. International studio. -, ho knows if iiexaggerati ot in op- posh ? tdon this a li- ft! A R C H 9 2 2 inceRriAcionAL SOTPtt©. gury, for we may be wit-nessing the social paroxysm which often precedes the turn in the tide towarda new harmony between the arts and life. Nevertheless, the picture, especially thatpainted in oils, enjoys a favor commercially whichit has not enjoyed at any former period. It hasbecome a marketable value, a most useful articleof international exchange and speculation. And,while the public professes to be saturated with theoverwhelming production, it attends all theSalons and galleries assiduously and discussestendencies and merits with fervor. For no subjectadapts itself more readily to comment, a picturehaving the advantage over other art forms that aplay has over a book of poetry. Yet, though we talk a great deal about pic-tures and reviews and magazines and newspapersnow devote as much space to art criticism as isdesirable, such tremendous debates as wereexcited by Rodins Balzac twenty years ago havenot occurred since, lor our interest and curiositieshave lost in passion if they ha
Size: 1819px × 1374px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., booksubjectart, booksubjectdecorationand, maternite, victordupont
