. Studio international . isfirst panels ; Edwinhis Bowling Green, at theHotel Imperial NewYork), where, too, ThomasDewing had designed aceiling with figu-Night, Day, and movement was alreadyin the air, and needed only exten .tl impulseto focir. d forces nt in in life. 11 •.en by the ? well a. illy, a tages, which the great Italian decorators enjoyed,of an artistic tradition which had set firm rootsinto the past centuries ; on the other hand, theyhad those qualities which belong to the youthof nations—energy, ideality, and an unboundedenthusiasm. The direction of the sculpture fell nat
. Studio international . isfirst panels ; Edwinhis Bowling Green, at theHotel Imperial NewYork), where, too, ThomasDewing had designed aceiling with figu-Night, Day, and movement was alreadyin the air, and needed only exten .tl impulseto focir. d forces nt in in life. 11 •.en by the ? well a. illy, a tages, which the great Italian decorators enjoyed,of an artistic tradition which had set firm rootsinto the past centuries ; on the other hand, theyhad those qualities which belong to the youthof nations—energy, ideality, and an unboundedenthusiasm. The direction of the sculpture fell naturally—one might say almost inevitably—upon AugustusSaint Gaudens ; that of the mural decoration uponone of John La Farges pupils, F. D. this latters direction were grouped EdwinBlashfield, Robert Reid, Edward Simmons,Maynard, Reinhart, Shirlaw, Kenyon Cox, AldenWeir, Melchers, Dodge—names these which, inalmost every case, stand in the forefront to-day ofAmerican mural decoration. They all came. , Mural Decoration in America
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
