. Bulletin. Ethnology. dbnsmorb] TETON STOITX MUSTC 123 =9^ No. 17. Song of Preparing the Sacred Place (Catalogue No. 500) Sung by Red Bird Voice J = 60 Druai not recorded To-pa-ki - ya ma-ka- ta Ce-wa- ki ye - lo e to-pa- ki - ya ma-ka- o-wai)-ka ka - gir) kta 6a o-ya- I. te wai]-la-ka pe- lo e to-pa-ki- ya ma-ka-ta 6e-wa-ki ye - lo e to^pakiyamaka''ta <5e^w'ald yelo'.. four times to the earth I prayed owag ^ka a place waka'gii] kta 6a I will prepare oya^te O tribe wagla^ka pelo^ behold Analysis—All the tones of the octave except the fourth occur in this melody, which is nainor in tonality


. Bulletin. Ethnology. dbnsmorb] TETON STOITX MUSTC 123 =9^ No. 17. Song of Preparing the Sacred Place (Catalogue No. 500) Sung by Red Bird Voice J = 60 Druai not recorded To-pa-ki - ya ma-ka- ta Ce-wa- ki ye - lo e to-pa- ki - ya ma-ka- o-wai)-ka ka - gir) kta 6a o-ya- I. te wai]-la-ka pe- lo e to-pa-ki- ya ma-ka-ta 6e-wa-ki ye - lo e to^pakiyamaka''ta <5e^w'ald yelo'.. four times to the earth I prayed owag ^ka a place waka'gii] kta 6a I will prepare oya^te O tribe wagla^ka pelo^ behold Analysis—All the tones of the octave except the fourth occur in this melody, which is nainor in tonality and melodic in structure. A feeling for the tonic triad is evident throughout the song, but there is more freedom of progression than in many of the songs under analysis. The second of the key is unusually prominent, and the progressions in the sixth and seventh measures are interesting, as they include the tonic and the tone immediately above and below it. About two-thirds of tho intervals arc downward progressions. After the sacred pole was erected and the "sacred place" prepared, a shelter, or "shade-house," was built entirely around the Sun- dance circle, any who wished to share in this work being permitted to do so. Posts about 6 feet high were erected, and upon these were placed a light framework of poles. This framework was covered with buffalo hides and decorated with freshly cut boughs. Beneath this shade sat the old people, the relatives of the dancers, and any who attended the ceremony nierely as spectators. On the morning of the Sun dance those who were to take part in the ceremony were allowed to eat a full meal, after which they entered the vapor lodge while the following song was sung:. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original Smithsonian Institution. Bureau of Am


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Keywords: ., bookcentury1900, bookdecade1900, booksubjectethnolo, bookyear1901