. Art in France. Blanc, Les trolsVernel, Paris. 1898. -G. Planche, Portraits dartistes, Paris, 1898.—Amaury-Duval, L. AtelierdIngres, Paris.—Ch. Blanc, Irtgres iC. B. A., 1867^ 1).—H. Delaborde, Ingres. Paris. 1870.—H. Lapauze, Portraits dessin^s dIngres, Paris, 1903.—J. Mommeja, Ingres, Paris, 1903. —, Les Dessins d Ingres d Montauban (CT. B. A., 1894, II).—L. Flandrin, H. Flandrin,Paris. 1903. -P. Manlz. Raffet iC. B. I860, Il).-F. Lhomme, Raffet, Paris, , Raffet (G. B. 1892. I, p. 353) ; Charlet 1893. II, p. 46>.-H. Marcel. , Paris, J
. Art in France. Blanc, Les trolsVernel, Paris. 1898. -G. Planche, Portraits dartistes, Paris, 1898.—Amaury-Duval, L. AtelierdIngres, Paris.—Ch. Blanc, Irtgres iC. B. A., 1867^ 1).—H. Delaborde, Ingres. Paris. 1870.—H. Lapauze, Portraits dessin^s dIngres, Paris, 1903.—J. Mommeja, Ingres, Paris, 1903. —, Les Dessins d Ingres d Montauban (CT. B. A., 1894, II).—L. Flandrin, H. Flandrin,Paris. 1903. -P. Manlz. Raffet iC. B. I860, Il).-F. Lhomme, Raffet, Paris, , Raffet (G. B. 1892. I, p. 353) ; Charlet 1893. II, p. 46>.-H. Marcel. , Paris, Vaudoyer and P. Alfassa, Les Salles de la Monarchie de Juillet auMusee de Versailles (R. A. A. M.), 1910, Il).~ Th. Thor.^, 5a/ons, Pans, 1870, 2 Les Maitres du Paysage, Paris, 1906. E. Michel, La Forel de Fontainebleau, Paris,1909.—Moreau-N^laton. Corot, Paris. Gensel, Corot und Troyon. —Fr. Henriet, Charles Daubigny et son auvre, Paris, 1878. 376. FIG. 790. PUVIS DE CHAVANNES. LETTERS AND THE SCIENCES. (FRAGMENT.) (Amphitheatre of the Sorbonne.) {Photo. Fiorillo.) CHAPTER IIINATURALISM Archileclure in Towns: the Transformation of Paris.— The Classical Style modified by EclecticTaste.—Iron Structures.—Essay> in the Modern 5fti/e.—Naturalistic Paintings.—Courbel.—Jean Franqois Millet.—History Painting.—Orientalism.—Portraiture.—Decorative Paintingfrom Ingres to Puvis de Chacannes.—From Naturalism to Impressionism.—Impressionismin Landscape, Decoration and Design.— The Reaction against Impressionism.—Contemporan)Art.—Classical Sculpture: Florentine Influence.—Naturalism in Sculpture: Carpeaux,Dalou, Rodin, Barthotome. During the second half of the nineteenth century, scholars graduallysupplanted poets in the general governance of minds. The Roman-ticist, Victor Hugo or Delacroix, like Narcissus bending over hisfountain, only looked at Nature to see the reflection of himself. Tohi
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