. Voice and song : a practical method for the study of singing . 5 Base False True Glottis. BACK- FIG. 3. THE GLOTTIS AND VOCALCORDS VIEWED FROM ABOVE. Glottis open for inspiration. V The Ventricles. T The Thyroid Cartilage. C The Cricoid Cartilage. W The Windpipe or Trachea. In STRAINING, the false cordsare closely approximated. See Exercise18 (b).. FIG. 4. THE GLOTTIS AND VOCALCORDS VIEWED FROM ABOVE. Vccal cords approximated. 1 The Glottis, , the opening betweenthe opposed edges of the Vocal Cords 2 The True Vocal Cords. 3 The False
. Voice and song : a practical method for the study of singing . 5 Base False True Glottis. BACK- FIG. 3. THE GLOTTIS AND VOCALCORDS VIEWED FROM ABOVE. Glottis open for inspiration. V The Ventricles. T The Thyroid Cartilage. C The Cricoid Cartilage. W The Windpipe or Trachea. In STRAINING, the false cordsare closely approximated. See Exercise18 (b).. FIG. 4. THE GLOTTIS AND VOCALCORDS VIEWED FROM ABOVE. Vccal cords approximated. 1 The Glottis, , the opening betweenthe opposed edges of the Vocal Cords 2 The True Vocal Cords. 3 The False Vocal Cords. 4 The Epiglottis. In SINGING, the true cords areclosely approximated. FIG. 6. VERTICAL TRANSVERSE SECTION OF THE LARYNX. PREFACE. It is impossible to learn from a book the whole art of singing. The student must have precept andexample. This book, therefore, has not been compiled to take the place of a competent teacher, but to beused under his instruction. The author offers this contribution to the subject with considerable diffidence. He is familiar with alarge number of the excellent manuals in use, and yet, after years of experience in vocal teaching, he feelsthat many will welcome such a method as is contained in these pages. The value of the method here set forth lies in its simplicity, completeness and systematic embraces whatever is best in prevailing
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