An introduction to the study of prehistoric art . Fig. 78.—Engravings of Cervus elaphus. (i) Mege Cavern, Teyjat. (2) Gourdan. (3) Lorthet. (4) Les Eyzies. (5) Batonde Commandement, Laugerie Haute. (From Cav. Font de Gaunie.) 6o PREHISTORIC ART ne voyalent quune partie, parcequil etait dessine sur unesurface tournante dont un seul cote etait dans le champ deleurvue.^ A fine study of Stags heads arranged in avertical series is seen engraved on a baton from LaugerieHaute, and another of their heads seen en face (a method ofrepresentation very uncommon in Palaeolithic art) from thecave Mege at Te
An introduction to the study of prehistoric art . Fig. 78.—Engravings of Cervus elaphus. (i) Mege Cavern, Teyjat. (2) Gourdan. (3) Lorthet. (4) Les Eyzies. (5) Batonde Commandement, Laugerie Haute. (From Cav. Font de Gaunie.) 6o PREHISTORIC ART ne voyalent quune partie, parcequil etait dessine sur unesurface tournante dont un seul cote etait dans le champ deleurvue.^ A fine study of Stags heads arranged in avertical series is seen engraved on a baton from LaugerieHaute, and another of their heads seen en face (a method ofrepresentation very uncommon in Palaeolithic art) from thecave Mege at Teyjat (Fig. 78). M. Piette also interpretedas the artists signature designs (which he compared to a.
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Keywords: ., bookcentury1900, bookdecade1910, bookidintroduction, bookyear1915
