A treatise on strict counterpoint . njunct or by DisjunctMovement, thus:— Good. Good. But when it is approached from without, Conjunct Movementonly is allowed, :— Good. Bad. This last progression is named by Contrapuntists OttavaBattutaT The Selection of Concords. In Two parts (First Species) the effect of a Fifth preceded orfollowed by an Octave is not altogether satisfactory, :— Not very good. m - STRICT COUNTERPOINT. In fact, the Perfect Concords should not be employed toofrequently. Nevertheless, the occasional introduction of a Fifthor Octave will give both variety and st


A treatise on strict counterpoint . njunct or by DisjunctMovement, thus:— Good. Good. But when it is approached from without, Conjunct Movementonly is allowed, :— Good. Bad. This last progression is named by Contrapuntists OttavaBattutaT The Selection of Concords. In Two parts (First Species) the effect of a Fifth preceded orfollowed by an Octave is not altogether satisfactory, :— Not very good. m - STRICT COUNTERPOINT. In fact, the Perfect Concords should not be employed toofrequently. Nevertheless, the occasional introduction of a Fifthor Octave will give both variety and strength to the care is taken to place a single Perfect Concord between twoImperfect Concords the effect will be good, : — £ 22: I£2I The Unison, however, is entirely forbidden except in the firstand last bars. False Relation. When two sounds a Chromatic Semitone, a DiminishedOctave, or an Augmented Octave apart are heard (in successiveharmonies) in different voices, False Relation occurs, :— -a _-n-fo-. Such conflicting harmonies as these are so harsh that they maybe at once dismissed as unworthy of consideration. But there is another kind of False Relation which is not sopalpably wrong. This is known as the False Relation of theTritone. The ancient authorities formulated a rule to the effect thatany two notes which are separated by the interval of anAugmented Fourth (or Tritone) must never appear in differentparts in two successive harmonies. A strict enforcement of this precept created difficulties ; andit was soon found necessary to claim a certain amount ofindulgence in regard to its observance. The experience of centuries has therefore modified the ruleto this extent: The False Relation of the Tritone is forbiddenin Conjunct Movement, : — Bad. Bad. Bad. Bad. Bad. Bad. =§==: G>ZTJ=S2 s s Such progressions as the following cannot be condemned : — ^ bTRICT COUNTERPOINT. Beginnings and Endings. The beginning of an exercise in Two-part


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