"More Light: The Modern Well-lighted Plant is the "Barreled Sunlight" Plant . you use a cold-waterpaint on ceilings and walls. It flakesand scales off with the jar of machin-ery and soon needs costly repainting. On the right, the same board isshown, the old cold-water paint havingbeen covered with Barreled Sunlight—the Rice Process White. The development of the Mill White idea Years ago, whitewash and cold-water paint wrere used onthe interiors of mills, but the flaking and scaling of ceilings andwalls coated with cold-water paint was annoying and expen-sive, since the dust injured both machin


"More Light: The Modern Well-lighted Plant is the "Barreled Sunlight" Plant . you use a cold-waterpaint on ceilings and walls. It flakesand scales off with the jar of machin-ery and soon needs costly repainting. On the right, the same board isshown, the old cold-water paint havingbeen covered with Barreled Sunlight—the Rice Process White. The development of the Mill White idea Years ago, whitewash and cold-water paint wrere used onthe interiors of mills, but the flaking and scaling of ceilings andwalls coated with cold-water paint was annoying and expen-sive, since the dust injured both machinery and products. The inconsistency of erecting buildings at great cost andthen coating the interiors with such cheap materials is obvious. The breaking away from all established formulas andmethods of manufacturing paint, the discovery of a vehiclefrom which the tendency to turn yellow has been removed,and which wrould at the same time combine with pigmentsto form a practically imperishable surface, was a work thatrequired more than ten years time, and which eventually. SHOWS THE NEWWITH THE OLD — very strikingly and truly compares resultsof Barreled Sunlight and old cold water paint. Beam in foreground with its dingy, scalingsurface shows condition of room after continuous applications of cold-water paint. 1 hescaling and flaking nuisance was permanently stopped by using Barreled Sunlight, and awhite, tile-like surface secured. resulted in the perfection of Barreled Sunlight—the RiceProcess White. An important step forward was thus taken. Plant mana-gers were then enabled to coat the interiors of their plants witha lustrous finish, sanitary and dirt-resisting, without the dangerof flaking and scaling, and without the fear of the yellowingso characteristic of lead and oil paints. At the same time, itslight-reflecting qualities reflect every ray of natural as wellas artificial illumination to every corner. Barreled Sunlight is as clean as it is bright. Its firmyet elastic


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Keywords: ., bookcentury1900, bookdecade1920, booksubjectpainting, bookyear192