Albyn's anthology, or, A select collection of the melodies & vocal poetry peculiar to Scotland & the Isles : hitherto unpublished . Fig. 5. The same transposed to G, and to its Relative,E explanation of the above diagrams. Fig. 1. Exhibits the order of the musical intervals, whichthe late truly learned and highly ingenious Dr CharlesBurnky considers as the ancient genuine Greek enharmonicscale or octave; in which the trite and lichanos, i. e. thethird and seventh (reckoning downwards), are omitted. Fig. 2. Exhibits the order of the musical intervals, whichBorney considers as the Dorian
Albyn's anthology, or, A select collection of the melodies & vocal poetry peculiar to Scotland & the Isles : hitherto unpublished . Fig. 5. The same transposed to G, and to its Relative,E explanation of the above diagrams. Fig. 1. Exhibits the order of the musical intervals, whichthe late truly learned and highly ingenious Dr CharlesBurnky considers as the ancient genuine Greek enharmonicscale or octave; in which the trite and lichanos, i. e. thethird and seventh (reckoning downwards), are omitted. Fig. 2. Exhibits the order of the musical intervals, whichBorney considers as the Dorian mode; in which thetetrachords, or thirds, are omitted; which omissions answerto the fourth and seventh of the diatonic scale of modernmusic. a Li il PllEFACE. Fig. 3. Exhibits the preceding intervals transposed tothe black or short keys of the organ or piano-forte; ontouching which in regular succession, either upward ordownward, or in any direction, the sounds produced bearso striking an analogy to our Scotish and Irish has been observed time out of mind. Fio-. 4. Exhibits the Dorian mode and old Greek enhar-monic scale (transposed), in systematic connection; andanswer to
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Keywords: ., bookcentury1800, bookdecade1810, booksubjectscots, bookyear1816
