. Analysis and interpretation of eighteen violin compositions . l utterances are scarcelyunderstood. En Bateau freely translated would mean in the little boat, a boatsong. a Barcarolle; and yet it is not the small surf boat, nor does thesea form the water setting. The scene seems to be in miniature form, insmall cameo-like construction. A little Swiss lake, you suggest. Perhapsas we proceed we find something even more beautiful than a little Swiss lakeand its lovers and boats. The piece starts in 6/8 time, in the Key of G major, but has an underly-ing relative minor interrupting constantly, an
. Analysis and interpretation of eighteen violin compositions . l utterances are scarcelyunderstood. En Bateau freely translated would mean in the little boat, a boatsong. a Barcarolle; and yet it is not the small surf boat, nor does thesea form the water setting. The scene seems to be in miniature form, insmall cameo-like construction. A little Swiss lake, you suggest. Perhapsas we proceed we find something even more beautiful than a little Swiss lakeand its lovers and boats. The piece starts in 6/8 time, in the Key of G major, but has an underly-ing relative minor interrupting constantly, and the opening theme for violin,when played in the way that seems to place our interpretation at once in thereal atmosphere, is not played on the E string, for that would be too softness of the A string is better for the delicacy of this theme. If theviolinist will take this movement on the A string, when high G is wantedthe fourth finger can be extended on the E string, and will be reached easilyand without any slide, or bad eftect upon the The exact rh}thm of the rippling water is supplied by the piano accom-paniment. 40 ANALYSIS AND INTERPRETATION I suggest fingering for the following passage: - >^±
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