. Transactions of the Society of Motion Picture Engineers (1921) . Fig. 6—Mechanigraph rrproduction of the Dandy Man Bicycle, the forerunner of themodern bicycle, which appears in motion in The Porcelain Lamp. tions not only in actual use but in their proper early nineteenth cen-tury landscape setting. And so in the same series, the quaint Dutchwind wagon (Fig. 8) fitted with sails was shown being drivenbefore the w^ind on the sands of the sea shore, while the first mo-torcycle (Fig. 9) chugged through the street of a foreign village inthe garb of 1880. Thus are combined in the mechanigraph th
. Transactions of the Society of Motion Picture Engineers (1921) . Fig. 6—Mechanigraph rrproduction of the Dandy Man Bicycle, the forerunner of themodern bicycle, which appears in motion in The Porcelain Lamp. tions not only in actual use but in their proper early nineteenth cen-tury landscape setting. And so in the same series, the quaint Dutchwind wagon (Fig. 8) fitted with sails was shown being drivenbefore the w^ind on the sands of the sea shore, while the first mo-torcycle (Fig. 9) chugged through the street of a foreign village inthe garb of 1880. Thus are combined in the mechanigraph the tal-ents of the scenic artist and the engineer. Mechanisms far less mechanical are equally well adapted totreatment by mechanigraph. The human body, its parts and theperformance of its various functions are as easy to present as ma-chines made of steel and iron. The mechanigraph is destined to become a most valuable aid in. Fig- 7—Mechanigraph of the Unicycle, one of the earlyforerunners of the bicycle. 62
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