International studio . leavesone guessing, because thereare so many other picturesin the exhibition whichhave better claims. The show offers portraits,but not too many of them,notably a very excellent oneof Mr. F. Augustus Scher-?«fr/;(?r« by William T. Smed-ley, and a charming one ofa small child in a Chinesecoat by Ben AH L. Ipsen sends a verythorough and effective like-ness in his Lady with aFan. Mrs. Josephine Colbysuggests, along with a cer-tain timidity in attack, thecharm of work done withpleasure. Attractive forbrush work in an individualstyle is the young woman,half leng
International studio . leavesone guessing, because thereare so many other picturesin the exhibition whichhave better claims. The show offers portraits,but not too many of them,notably a very excellent oneof Mr. F. Augustus Scher-?«fr/;(?r« by William T. Smed-ley, and a charming one ofa small child in a Chinesecoat by Ben AH L. Ipsen sends a verythorough and effective like-ness in his Lady with aFan. Mrs. Josephine Colbysuggests, along with a cer-tain timidity in attack, thecharm of work done withpleasure. Attractive forbrush work in an individualstyle is the young woman,half length, whom Maurice Fromkes has en-tered under the title Golden Tresses. One missesportraits by Wilhelm Funk and Irving Wiles, twopainters whose pictures always raise the average ofan exhibition; of Wilton Lockwood, also, a por-trait painter among the best—but he is representedhere by a group of peonies which show that hishand has not lost its cunning during his absence in BY BEN ALI HAGGIN The Eighty-Seventh Academy. Awarded the Sallus MedalTHE HILLS 3Y BRlCE CRANE, Boston. And speaking of Boston, it is a pity thatthese shows at the Academy lack the lovely shadedinteriors by Tarbell and the sun and wind-sweptoutdoor pictures by Benson; both are Academi-cians of some years standing. In this space it would be foolish to try to men-tion all the pictures worth notice, but one shouldnot pass through the Academy room without greet-ing the bonny lass with a red flower at her ear, soquiet yet so alive, whom Thomas Anshutz dubsSummertime; the ambitious and in many parts de-lightfully painted picture of musicians and posingwoman by Mrs. Maria 0. Dewing called Pas Seul,and the warm and restful garden scene, LaleAfternoon, by Miss Content Johnson. OrangeRobe by Henry Salem Hubbell should have had the benefit of a longer aerial view such as the Van-derbilt Gallery affords. In the Vanderbilt thereare ease and restfulness about the two figures inThe Goldfish by Robert Reid, decorative
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
