History of mediæval art . % lii Fig. 364.—Plan of S. Anastasiaat jr hiiit li \ \ 1 i , i \m.^ Fig. 365.—System of S. Anastasiaat Verona. dent, — the cupolas in the main aisles being similar to those ofSt. Mark, and a transitional character being retained in the roundarches, — the Dominicans consequentially followed the principleswhich they had adopted. This is exemplified by the magnificentChurch of S. Maria Novella in Florence, founded in 1278; by theConvent Church of S. Maria Sopra Minerva in Rome, begun in1281 ; by several structures in the district of Venice; and by theChurch of S
History of mediæval art . % lii Fig. 364.—Plan of S. Anastasiaat jr hiiit li \ \ 1 i , i \m.^ Fig. 365.—System of S. Anastasiaat Verona. dent, — the cupolas in the main aisles being similar to those ofSt. Mark, and a transitional character being retained in the roundarches, — the Dominicans consequentially followed the principleswhich they had adopted. This is exemplified by the magnificentChurch of S. Maria Novella in Florence, founded in 1278; by theConvent Church of S. Maria Sopra Minerva in Rome, begun in1281 ; by several structures in the district of Venice; and by theChurch of S. Anastasia at Verona, begun in 1290, following the 570 THE EXTENSION OF GOTHIC ARCHITECTURE. precedent of S. Giovanni e Paolo {Figs. 364 and 365); furthermore,by S. Agostino in Padua, completed in 1303, and torn down in 1822;and by S. Niccolo at Trevigi, A. D. 1310 to 1352. The architectsof all these works were brethren of the Dominican order; the namesof two have been handed down—Fra Sisto and Fra Ristoro, the de-signers of S. Maria Novella and S. Maria Sopra
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Keywords: ., bookcentury1800, bookdecade1890, bookpublishernewyorkharperbros
