. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. th the University at Sydney, Australia, in Fig. 198, page 351. Both buildings would be called non-ecclesiastical Gothic; but notice the difference between the artistic effects of the two, owing to the greater representative characteristics of the latter. In the first, is a string-course between the stories, and an indication of a large room, probably a chapel, over the central doorway. But in the second, besides string-courses, fiq. 196.—pavilion of riche- there are projections of the walls - ?
. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. th the University at Sydney, Australia, in Fig. 198, page 351. Both buildings would be called non-ecclesiastical Gothic; but notice the difference between the artistic effects of the two, owing to the greater representative characteristics of the latter. In the first, is a string-course between the stories, and an indication of a large room, probably a chapel, over the central doorway. But in the second, besides string-courses, fiq. 196.—pavilion of riche- there are projections of the walls - ?^^ ^^^^• , , , ,^ 1 Seepages 52. 348, 358, 359, and also buttresses, and arrange- g^ ments of windows and doors, which seem, at least, to reveal the character of almostevery part of the interior. At the extreme right is,undoubtedly, the chapel; then, to the left of it, judg-ing from the corresponding gable on the nearer side ofthe central tower, is a high room, which, as indicated byboth the windows and door, must be either a library or amuseum. In the section just to the left of the tower.
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Keywords: ., bookcentury1900, bookdecade1900, bookpublishernewyorkgpputnamsso
