. Art in France. FIG. 574.—CRKl/E. Tin-; MI LACK I!: (The Louvre, Paris.) young lover and the dis-cursive uncle. The publicwhich applauded LaChaussees and Diderotspathetic and didacticplays, acclaimed Greuzeslachrymose pictures withno less enthusiasm. On his return fromRome, Greuze (17251805) accordingly beganto work upon the sensi- more deeply. About1760, painting of theLouis XV style, gracefuland gallant decoration, nolonger satisfied the literature, sentimental-ity replaced the somewhatdry metaphysics of Mari-vaux; novelists and dra-matists gave to the sensi-tive man the important

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. Art in France. FIG. 574.—CRKl/E. Tin-; MI LACK I!: (The Louvre, Paris.) young lover and the dis-cursive uncle. The publicwhich applauded LaChaussees and Diderotspathetic and didacticplays, acclaimed Greuzeslachrymose pictures withno less enthusiasm. On his return fromRome, Greuze (17251805) accordingly beganto work upon the sensi- more deeply. About1760, painting of theLouis XV style, gracefuland gallant decoration, nolonger satisfied the literature, sentimental-ity replaced the somewhatdry metaphysics of Mari-vaux; novelists and dra-matists gave to the sensi-tive man the importantpart which had hithertobeen divided between the.

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Keywords: ., bookcentury1900, bookdecade1910, bookpublishernew, booksubjectart