Kurukulla Dancing in Her Mountain Grotto: Folio from a Manuscript of the Ashtasahasrika Prajnaparamita (Perfection of Wisdom) early 12th century India, West Bengal or Bangladesh Emphasizing her role as destroyer of corruption, the goddess Kurukulla is surrounded by a halo of flame and dances on a corpse. Like so many of the aggressive deities that emerged in the esoteric tradition, Kurukulla is understood to be an emanation of one of the Tathagatas—in this case, the calm celestial Buddha Amitabha, who presides over the western Pure Land. Such dualistic female-male or aggressive-pacific relatio
Kurukulla Dancing in Her Mountain Grotto: Folio from a Manuscript of the Ashtasahasrika Prajnaparamita (Perfection of Wisdom) early 12th century India, West Bengal or Bangladesh Emphasizing her role as destroyer of corruption, the goddess Kurukulla is surrounded by a halo of flame and dances on a corpse. Like so many of the aggressive deities that emerged in the esoteric tradition, Kurukulla is understood to be an emanation of one of the Tathagatas—in this case, the calm celestial Buddha Amitabha, who presides over the western Pure Land. Such dualistic female-male or aggressive-pacific relationships typify how the emerging Vajrayana Buddhist pantheon gave visual form to the breadth of the tradition’s ideological discourse and practice. These tiny paintings were executed by an artist of great skill and are among the greatest palm-leaf manuscript illustrations that survive from the Indian Kurukulla Dancing in Her Mountain Grotto: Folio from a Manuscript of the Ashtasahasrika Prajnaparamita (Perfection of Wisdom) 74903
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