. International Studio an Illustrated Magazine of Fine and Applied Art. •jrsE C\LI The Scrip. Property oj the Metropolitan Museum oj ArtEDGE or THE WOODS By PermissionBY ROUSSEAU types composing the group become increasinglyvague, thrust farther and farther into historic dis-tance. It is worth while, then, to make use of theopportunities recently afforded us in the Copleyexhibition of Boston and in the other exhibitionsthat sprang up in its wake, to review the principalcharacteristics of painters who have exercised suchan important influence upon landscape art, andwho play so dignified and int
. International Studio an Illustrated Magazine of Fine and Applied Art. •jrsE C\LI The Scrip. Property oj the Metropolitan Museum oj ArtEDGE or THE WOODS By PermissionBY ROUSSEAU types composing the group become increasinglyvague, thrust farther and farther into historic dis-tance. It is worth while, then, to make use of theopportunities recently afforded us in the Copleyexhibition of Boston and in the other exhibitionsthat sprang up in its wake, to review the principalcharacteristics of painters who have exercised suchan important influence upon landscape art, andwho play so dignified and interesting a role innineteenth century art-history. The exhibition held last March at Copley Hallbrought together a considerable number of theBoston possessions and not a few from other , however, were sent from either the BostonMuseum or the Metropolitan Museum, and thestudent of art who saw first the Copley collectionand then was able to visit the two museums men-tioned, could form a quite definite impression of thediverse merits of the school, especially if he couldpiece out t
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Keywords: ., bookcentury1900, bookdecade1900, bookidinternationa, bookyear1908
