. Keramic studio . SUGAR AND CREAMER—ADAH S. MURPHY RERAMIC STUDIO 13. THEiFLATTERER AND THE NET (Banyans Pilgrims Progress)—F. A. RHEAD THE DECORATION OF POTTERY IN THE CLAY STATEPATE-SUR-PATE F. A. Rhead THE process known as pate-sur-pate (or paste on paste)is one of the most delicate if not the most difficult ofceramic processes. M. Taxile Doat has produced examples of pate-sur-patein a variety of novel forms, both by itself and in combinationwith other decorative methods. M. Solon, in his article in theLondon Studio, wonders whether a painter or a sculptor willsucceed the more quickly in d
. Keramic studio . SUGAR AND CREAMER—ADAH S. MURPHY RERAMIC STUDIO 13. THEiFLATTERER AND THE NET (Banyans Pilgrims Progress)—F. A. RHEAD THE DECORATION OF POTTERY IN THE CLAY STATEPATE-SUR-PATE F. A. Rhead THE process known as pate-sur-pate (or paste on paste)is one of the most delicate if not the most difficult ofceramic processes. M. Taxile Doat has produced examples of pate-sur-patein a variety of novel forms, both by itself and in combinationwith other decorative methods. M. Solon, in his article in theLondon Studio, wonders whether a painter or a sculptor willsucceed the more quickly in discovering the way of drawingout of the process all that it may yield under proper its decorative range is wider than has yet been demon-strated is unquestionable. I have myself made one or twoessays in its application, which go far to show that the pos-sibilities are extensive. The plaque illustrating The Flattererand the Net, from Bunyans Pilgrims Progress, is anamplification of the ordinary methods, inasmuch as the back-ground is polychromatic. T
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Keywords: ., bookcentury1800, bookdecade189, booksubjectdecorationandornament
