. International studio. idently it was far more so than Whistlers,than Sargents, than Hunts;butperhapslesssothan \\ ins-low Homers. In Fuller I de-tect an English strain ol sen-timent, modified by his NewEngland surroundings. 1 wonder if it is purely myown fancy that attributes tohim a certain passion forvirtue, a certain moral en-thusiasm that finds aexact parallel in Ipoetry and fiction <it is that we canm itplate his beslout realit hem GEORGE FULLER a plausible theory that thefifteen years on the Deer-field farm gave time for cer-tain ideas to germinate andto take form, so that, whenFull
. International studio. idently it was far more so than Whistlers,than Sargents, than Hunts;butperhapslesssothan \\ ins-low Homers. In Fuller I de-tect an English strain ol sen-timent, modified by his NewEngland surroundings. 1 wonder if it is purely myown fancy that attributes tohim a certain passion forvirtue, a certain moral en-thusiasm that finds aexact parallel in Ipoetry and fiction <it is that we canm itplate his beslout realit hem GEORGE FULLER a plausible theory that thefifteen years on the Deer-field farm gave time for cer-tain ideas to germinate andto take form, so that, whenFuller returned to Boston andestablished his studio in theLawrence Building, he knewjust what he wanted to do. One of the critics hascompared Fuller to Whistler,which seems to me very far-fetched. Fullers method ofexpression has a much moreobvious analogy with thatof Carriere, and, in some ofits phases, with that ofMatthew Maris. But, in itsfinal and finished manifesta-tions, it was unique, abso-lutely personal, and therein. JULY I 11 2 two seventy-l mceRnAGioriAL
Size: 1368px × 1827px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
