Harmony, with an appendix containing one hundred graduated exercises . = ^ :& :^ ^ I ^ h ^ 6 64 3 6 543 HARMONY. 45 IT. E^^ 1 ^ ! rJ r^c :^ 6 5 4 3 ^^ ^^ p r :?-2= =?= iziz ^S :?2= ^^^ a III. ^^r J J JnS :e=p: :ff=p: :f=^ ES I I 6 54 3 6 6 6 6 H 4 ^»^g-r^-i-^J=^^^?=^ ~m—W- 6 54 3 6 I 6 6 54 3 IV. ^ :X=^ 3 ^—g 6 6 W^ E E * I* zi; 6 t ^5E :^ zii: zb ^ 6 6 6 6 54 8 6 6 D a 46 HARMONY. 25t±: ±=f:^ ^± 118 ^ 151=3= 6 G 6 5 4 3 g^^^r^ r r l^r=i-WH^r=r^^^^ q==t 6 S4 3 6 5 6 4 3 6 543 VI. 5g:^r ci-^ ^1^ -fi—».^- i—I I E^ j^ F^^^ 6 ^ Us 6 6 J>4 |3 5 I rzz: ^^ ^ ?if -. I- 6 I 6 -Ci~ 6 6 S ir:^ r^^ 47
Harmony, with an appendix containing one hundred graduated exercises . = ^ :& :^ ^ I ^ h ^ 6 64 3 6 543 HARMONY. 45 IT. E^^ 1 ^ ! rJ r^c :^ 6 5 4 3 ^^ ^^ p r :?-2= =?= iziz ^S :?2= ^^^ a III. ^^r J J JnS :e=p: :ff=p: :f=^ ES I I 6 54 3 6 6 6 6 H 4 ^»^g-r^-i-^J=^^^?=^ ~m—W- 6 54 3 6 I 6 6 54 3 IV. ^ :X=^ 3 ^—g 6 6 W^ E E * I* zi; 6 t ^5E :^ zii: zb ^ 6 6 6 6 54 8 6 6 D a 46 HARMONY. 25t±: ±=f:^ ^± 118 ^ 151=3= 6 G 6 5 4 3 g^^^r^ r r l^r=i-WH^r=r^^^^ q==t 6 S4 3 6 5 6 4 3 6 543 VI. 5g:^r ci-^ ^1^ -fi—».^- i—I I E^ j^ F^^^ 6 ^ Us 6 6 J>4 |3 5 I rzz: ^^ ^ ?if -. I- 6 I 6 -Ci~ 6 6 S ir:^ r^^ 47 CHAPTER VII. 77. When the note on which a common chord is built is notthe lowest note in it, the chord is said to be inverted ; this hasbeen already stated. But whether the chord remains in itsoriginal position or not, this note is still understood to be thefoundation on which the chord is built; hence it is called bysome the Fundamental Bass, by others the Root or Ground-note. It may be conveniently represented by a capital letter,— Ex. CCG DDA DGAF CNow this would give the fundamental basses, but not a fullaccount of the chords formed on those basses. The pupilwould therefore analyse it thus (as if reading the writing belowthe music):—Ex. 68. -I-
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