. Programme . Dein grauer ScWeier deckt im NuDes Himmels klares Auge zu. Dein Nebel wallt herauf von fern,Und Nacht verMUlt der Liebe Stern: Du Geist der Wolke, triib und bast Du all mein Gliick verscbeucbt. Was rufst Du, Tbranen ins GesicbtUnd Scbatten in der Seele Licbt? O wende, wende Deinen Lauf,—In Tbale bliibt der Frubling auf! These verses have thus been Englished in Prose: Thou Spirit of theCloud, murky and heavy, fliest with menace over land and sea; thygrey veil covers in a moment the clear eye of heaven; thy mistseethes up from afar, and Night hides the Star of Love. Thou
. Programme . Dein grauer ScWeier deckt im NuDes Himmels klares Auge zu. Dein Nebel wallt herauf von fern,Und Nacht verMUlt der Liebe Stern: Du Geist der Wolke, triib und bast Du all mein Gliick verscbeucbt. Was rufst Du, Tbranen ins GesicbtUnd Scbatten in der Seele Licbt? O wende, wende Deinen Lauf,—In Tbale bliibt der Frubling auf! These verses have thus been Englished in Prose: Thou Spirit of theCloud, murky and heavy, fliest with menace over land and sea; thygrey veil covers in a moment the clear eye of heaven; thy mistseethes up from afar, and Night hides the Star of Love. Thou Spiritof the Cloud, murky and damp, how thou has frightened away allmy happiness, how thou dost call tears to my face and shadowsinto the light of my soul! O turn, O turn thy course,—In the valleyblooms the Spring! The late John Kautz, excellent pianist and teacher, of Albany(), who knew Bottger, contributed the following notes: Now,pondering the above inspirational poem, the unsophisticated reader,. .«aO BOVLSTON STPCET THE MAKANNA SHOP TAKESPLEASURE IN PRESENTING TOYOU THEIR NEW LINE OF HAND-MADE cr£pe-de-chine and GEORGETTE DRESSES, BLOUSESAND A SPECIALTY. 420 BOYLSTON STREET. BOSTON Sale Many of her Exclusive Models have now reachedthe Department $ . AND . $ NO TWO ALIKE IN FORM OR COLOR480 BOYLSTON STREET (BLOCif OF BRUNSWICK HOTEL) 82 BOSTON noting its sombreness, its brimfulness of despair and agonizingsentiment, would wonder how on earth it could have any psychologi-cal connection with the origin of a musical work so seeminglyforeign in spirit, so sunny, buoyant, and optimistic, as is the Schu-mann Symphony in B-flat. But, if the reader will carefully notethe last line, im Thale bltiht der Frtihling auf! he will be giventhe key that will dispel all his mystification. The symphony is theapotheosis of spring, and all that it symbolizes in philosophy andlife. The lyre of Schumann may have sounded deeper chords, butscarcely more enduri
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Keywords: ., bookcentury1800, bookdecade1880, bookidprogramme192, bookyear1881
