Hathor Head Egypt Egyptian museum archaeology
In Egyptian mythology, Hathor (Egyptian for house of Horus) was originally a personification of the Milky Way, which was seen as the milk that flowed from the udders of a heavenly cow. Hathor was an ancient goddess, and was worshipped as a cow-deity from at least 2700 BC,[1] during the second dynasty. Her worship by the Egyptians goes back earlier however, possibly, even by the Scorpion King who ruled during the Protodynastic Period before the dynasties began. His name, Serqet, may refer to the goddess Serket. The two figures flanking the top of both sides of the Narmer Palette are interpreted as images of the cow goddess. The palette is among the earliest carved religious images known from the Egyptian culture. Hathor is referred to as She with Two Faces, which is not yet understood. Speculation about its meaning ranges from it being symbolic of life and afterlife to being the mirror and the face seen in it, but no clarification of this religious euphemism for the deity has arisen. The name Hathor refers to the encirclement by her, in the form of the Milky Way, of the night sky and consequently of the god of the sky, Horus who was said to be her son. Later she was described as the wife of Ra, the creator whose own cosmic birth was formalised in the Ogdoad cosmogeny after his worship arose and displaced that of Horus. At that time images of Ra bear the eye motif. An alternate name for Hathor, which persisted for 3,000 years, was Mehturt (also spelt Mehurt, Mehet-Weret, and Mehet-uret), meaning 'great flood, a direct reference to her being the milky way.[citation needed] Hathor as a cow, wearing her necklace and showing her sacred eye - Papyrus of AniThe Milky Way was seen as a waterway in the heavens, sailed upon by both the sun deity and the king, leading the ancient Egyptians to describe it as The Nile in the Sky. Due to this, and the name mehturt, she was identified as responsible for the yearly inundation of the Nile.
Size: 3661px × 4896px
Location: Egypt
Photo credit: © Peter Horree / Alamy / Afripics
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