Lazio Roma Ariccia S. Maria di Galloro6. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, crucifix, stucco ceiling decoration, marble and mosaic altar frontal. This church is a latin cross in plan with a cupola, started in 1624 and enlarged in 1661 with a facade designed by Bernini. The main altar, also believed to be a design of Bernini's, contains a painting of the Madonna and Child with a frame of gilded metal rays. In lateral chapels, paintings of S. Tommaso of Villanova by G. Gimignani (1663) and of S. Francis of Sales by Borgognone (1663). German-born
Lazio Roma Ariccia S. Maria di Galloro6. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, crucifix, stucco ceiling decoration, marble and mosaic altar frontal. This church is a latin cross in plan with a cupola, started in 1624 and enlarged in 1661 with a facade designed by Bernini. The main altar, also believed to be a design of Bernini's, contains a painting of the Madonna and Child with a frame of gilded metal rays. In lateral chapels, paintings of S. Tommaso of Villanova by G. Gimignani (1663) and of S. Francis of Sales by Borgognone (1663). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
Size: 4799px × 6276px
Photo credit: © piemags/GB24 / Alamy / Afripics
License: Licensed
Model Released: No
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