. European and Japanese gardens; papers read before the American Institute of Architects .. . 6 is called the Perspective Pine [Mikosi-matsii); it is designed to give an effect of extended distanceand naturally is placed behind a garden or in a place partlyconcealed. No. 7 goes by the name of the OutstretchingPine [Nagashi-matsu], suggesting branches overhanging astream or a lake. This is generally a single evergreen treein the foreground with branches outstretching over a stream. Other accessories are : A, a well, with a weeping willow ;B, a lantern, just close to the tree No. 2—the light fro


. European and Japanese gardens; papers read before the American Institute of Architects .. . 6 is called the Perspective Pine [Mikosi-matsii); it is designed to give an effect of extended distanceand naturally is placed behind a garden or in a place partlyconcealed. No. 7 goes by the name of the OutstretchingPine [Nagashi-matsu], suggesting branches overhanging astream or a lake. This is generally a single evergreen treein the foreground with branches outstretching over a stream. Other accessories are : A, a well, with a weeping willow ;B, a lantern, just close to the tree No. 2—the light from thelantern is thrown over the water; C, the back-gate of the gar-den ; D, a bridge leading from the mainland to the lake islet;E, small passway on a plank ; F, an arched stone bridge withmoulded stone parapet; G, a water basin with a sink and apool ; H, a stone lantern behind the water-basin. The step-ping-stones in the foreground guide the steps of a strollerfrom the garden to the veranda, while the entire ground iscovered with well-prepared earth. 140 European and Japanese Gardens. HILL GARDEN—INTERMEDIARY STYLE


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Keywords: ., bookcentury1900, bookdecade1900, booksubjectgardens, bookyear1902