Philosophy of vocal culture : a textbook of vocal training and preparation for song interpretation . rto discharge itself into the resonator chambers situated abovem a series of puffs at a frequency and in a volume accordingto the air pressure and the construction and size of the resonator chambers vary in size, shape and constructionaccording to the instrument. They can be readily recognisedm the church organ as the cylindrical or cubical shaped upperparts of the pipes. In the flute instruments, the air is into puffs by its more or less violent contact with the sharpedges o
Philosophy of vocal culture : a textbook of vocal training and preparation for song interpretation . rto discharge itself into the resonator chambers situated abovem a series of puffs at a frequency and in a volume accordingto the air pressure and the construction and size of the resonator chambers vary in size, shape and constructionaccording to the instrument. They can be readily recognisedm the church organ as the cylindrical or cubical shaped upperparts of the pipes. In the flute instruments, the air is into puffs by its more or less violent contact with the sharpedges of the lip of the instrument, causing the air inside theresonance chambers to resonate, creating the sound. The voice is m a class by itself. The reed organ pipe re-sembles it more closely than any other instrument. The reedorgan pipe is supplied with compressed air from the wind-chestof the organ, which is conducted to the reed by certain action of the column of air upon the reed causes it tovibrate. In so doing, it divides the passing air into a seriesof puffs. DIAGRAMS OF THE EPICLOTTIS- HYOID BONE THYRO-EPICLOTTIC LIGAMENT THYROID CARTILAGE -VENTRICLE FOLDLARYNGEAL VENTRICLEVOCAL FOLD MUSCULUS VOCALIS CRICOID CARTILAGE TRACHEA(WiNDPIPE )
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectsinging, bookyear1900
