. Comstock's elocution and model speaker ... . alled cleffs are placed at the beginning of each staff. The treble cleff is called G, because a particular Treble Cleff. G note is written upon that line of the staff on which —q 1 the main part of this character is placed. This note, / ; called the G cleff note, occupies that point of pitch G~vS)—ff—;at which the falsetto voice generally commences. ~+3 ~~ The bass-cleff is called F, because a particular F note is written * In pluralizing staff, s is preferable to ves. (See Browns Eng-asV Syntax.) 44 ELOCUTION. upon that line of the staffwhich thi
. Comstock's elocution and model speaker ... . alled cleffs are placed at the beginning of each staff. The treble cleff is called G, because a particular Treble Cleff. G note is written upon that line of the staff on which —q 1 the main part of this character is placed. This note, / ; called the G cleff note, occupies that point of pitch G~vS)—ff—;at which the falsetto voice generally commences. ~+3 ~~ The bass-cleff is called F, because a particular F note is written * In pluralizing staff, s is preferable to ves. (See Browns Eng-asV Syntax.) 44 ELOCUTION. upon that line of the staffwhich this character crosses BASS Clef?as in the margin. The pitch of this note, called the —75^—7—bass cleff note, is nine degrees of the diatonic scale FTT* ®below that of the treble cleff note, and one octave ?•??? ?? —;above the lowest note of the majority of bass voiceswhich have been properly cultivated. (See Diagram 8.) Three Octaves of the Finger-Board of the Piano, and tifbtwo Staffs, with their Cleffs. (Diag. 6.). FGABCDEFGABCDEFGABCDEF
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Keywords: ., bookcentury1800, bookdecade1870, booksubjectelocution, bookyear18
