Counterpoint applied in the invention, fugue, canon and other polyphonic forms : an exhaustive treatise on the structural and formal details of the polyphonic or contrapuntal forms of music, for the use of general and special students of music . influenced by the coming Subdomi-nant harmony. See par. 20<f. e. These exceptional regulations will be seen to corroborate thegeneral rule that the notation of all passing-notes usually conforms to thescale represented by the chord upon the momentary beat, — or by the chordupon the next-following beat (if near enough to be affected by the latterrath


Counterpoint applied in the invention, fugue, canon and other polyphonic forms : an exhaustive treatise on the structural and formal details of the polyphonic or contrapuntal forms of music, for the use of general and special students of music . influenced by the coming Subdomi-nant harmony. See par. 20<f. e. These exceptional regulations will be seen to corroborate thegeneral rule that the notation of all passing-notes usually conforms to thescale represented by the chord upon the momentary beat, — or by the chordupon the next-following beat (if near enough to be affected by the latterrather than by its own beat). Illustrations are very numerous, in classic writings, of this rational principle ofdefining the notation of all passing-notes which fall within the limits of a certainchord, as if that chord were, for the time being, a Tonic chord. Apparently, it ismost commonly the coming chord that exercises this dominating power. Exceptionsare found, where the influence of the momentary chord is weighty enough to over-power that of the coming one ; and, further, at cadences and other points of separa-tion (alluded to in par. 19^), where abrupt effects are desired. 5o APPLIED COUNTERPOINT. Par. 2oe. General illustrations 2. Bach. g^^£^ :& ms i *2) i=lL , »tr- f, f if^ £3 fH-HF^ a F V d V7- s ^ ^ d min.(Asc.) 9^3-^ 3 •-*- FPPF bb min.( Desc.) P=f ^=S d I- F IVI?- 1 Brahms. II 8F=* £=M C maj. C maj. (Lowered 6thscale-step.) •— C maj. ^gl»ill


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