. Devon notes and queries. of a deceased patron. In the Clerical Subsidy-Roll (Exon |f) we find the forms AnnelV and Anuellavdenoting Chantry-Chaplains. To take a case on p. 24 ofthe Exeter MS.—by whom were the two annuellars foundedupon the church of Boteiel ? Were the anniversarieskept in that church, or, as I infer, in Exeter Cathedral ?And why did the salaries come out of the Exeter treasury ?Was the founder of the annuellar also the founder orpatron of Bokerel Church, and did he stipulate in the grantthat out of the revenues of that church—or out of theendowment of its incumbent, 20s. per
. Devon notes and queries. of a deceased patron. In the Clerical Subsidy-Roll (Exon |f) we find the forms AnnelV and Anuellavdenoting Chantry-Chaplains. To take a case on p. 24 ofthe Exeter MS.—by whom were the two annuellars foundedupon the church of Boteiel ? Were the anniversarieskept in that church, or, as I infer, in Exeter Cathedral ?And why did the salaries come out of the Exeter treasury ?Was the founder of the annuellar also the founder orpatron of Bokerel Church, and did he stipulate in the grantthat out of the revenues of that church—or out of theendowment of its incumbent, 20s. per annum was to be paidto a priest to say masses for his soul in Exeter Cathedral ? The whole subject of commemorative offices is one onwhich I am desirous of information; such articles uponthem as I have consulted, including the very instructivelecture by the late J. T. Micklethwaite, printed by theSociety for the Preservation of Ancient Buildings, nothaving satisfied my curiosity on minor points. Ethel Lega-Weekes. ^1. Devon Notes and Queries. 219 122. Oak Carving at Ashburton in Tudor Days.—Recently, within the last two years, Devonshire has becomepoorer in works of art by the removal from the county ofa series of panels, which for nearly four centuries has coveredthe walls of a room in the old house of a branch of thePrideaux family at Ashburton. These panels, with a cornice and a canopy, were alwayssaid to have been taken from the parish church of S. Andrewat the time of the Reformation. On the other hand, judgesof such work consider the greater part to have been purelysecular work. We are now able to reproduce these fromphotographs taken by Mr. John S. Amery, as a record ofwhat we have lost, with the hope that more informationmay be forthcoming respecting the place they take in thehistory of art and the lessons they teach concerning localcraftsmen in the early sixteenth century. Authorities on the great restorations of our Devonshirechurches in the late fifteenth and
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