. Thackerayana;. his progress, it is justpossible to follow the humourist. ,Plantas Paris is produced fromhis pocket to receive rapid pencil;jottings, slight but graphic, as thesubjects present themselves. First, the lolling ouvrier, common to Paris in all seasons andunder every government, slow and shuffling, alounger through succeeding regimes. We recognise the reign of the Citizen Kingin the person of one of his citizen soldiers, aworthy National Guard, hurrying from commer-, cial allurements to practise the military dutiesof a patriot At another time Mr. Titmarsh may refresh his pictorial
. Thackerayana;. his progress, it is justpossible to follow the humourist. ,Plantas Paris is produced fromhis pocket to receive rapid pencil;jottings, slight but graphic, as thesubjects present themselves. First, the lolling ouvrier, common to Paris in all seasons andunder every government, slow and shuffling, alounger through succeeding regimes. We recognise the reign of the Citizen Kingin the person of one of his citizen soldiers, aworthy National Guard, hurrying from commer-, cial allurements to practise the military dutiesof a patriot At another time Mr. Titmarsh may refresh his pictorial tastesby the inspection of M. Phillipons latest onslaught on the poire: Here we confront M. Auberts renowned collection of politicalcartoons in the Galerie Vero-Dodat, the head-quarters of thatirrepressible army of caricaturists whose satiric shafts kept thestout Louis Philippe in a quiver of irritation, until he swept awaythe liberty of the press. Before us stands a stern dissentient from any expression assail-.
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Keywords: ., bookcentury1800, bookdecade1870, bookidthackerayana, bookyear1875
