The Repository of arts, literature, commerce, manufactures, fashions and politics . PICT ©MAIL CAMJD>§ . rofARIStuJ^ lEATIICEj OR THE FRACAS* stone or marble, as were all those 11 gave at the chirurgeons door wasrepresentations or the tleities pre- ; gentle, timid, and restrained—itsiding over sleep, or the dark hours. !j conveyed a faithful report of theAll the statues of the Nile were of anxieties of her heart; and a bet-this complexion, to which the jj ter judge of these symptoms wouldEgyptians seem to have had an ![ have said, ** There is modest virtueearly veneration, ari

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The Repository of arts, literature, commerce, manufactures, fashions and politics . PICT ©MAIL CAMJD>§ . rofARIStuJ^ lEATIICEj OR THE FRACAS* stone or marble, as were all those 11 gave at the chirurgeons door wasrepresentations or the tleities pre- ; gentle, timid, and restrained—itsiding over sleep, or the dark hours. !j conveyed a faithful report of theAll the statues of the Nile were of anxieties of her heart; and a bet-this complexion, to which the jj ter judge of these symptoms wouldEgyptians seem to have had an ![ have said, ** There is modest virtueearly veneration, arising perhaps j; in affliction at the door, and hefrom circumstances connected with | would have let it in. But totheir origin, which habit and tra- I Shwaltzbruck it told no such tale;dition bad rendered sacred. to him it seemed the announce- ! ment of an abridged fee merely, fefiATBICE, or Tilt: FRACAS. } and he reluctantly called his house-(Coutiudcd from p. )S3 ) | keeper, to inquire if he must needs The sound of a knocker at j go forth immediately. As themidnight, sa

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Keywords: ., bookauthorac, bookcentury1800, bookdecade1800, booksubjectfashion