The International Studio /June 1915 . asection to Belgian art, inwhich most of the artistsnamed above were repre-sented, but generally withless important works. ()neof the principal exhibits byMaurice Wagemans; andmention should also be made of some vigorous,very broadly painted sket-ches by John Michaux, an Antwerp marinist, andstudies by Dolf van Roy, F. Smeers, Ed. J. exhibition of the Womens International Art Club also contained some Belgian works : land-scape studies by Jenny Montigny, a pupil of Emile Claus, still-lifes by Alice Ronner, etchings by Mine. Danse - Destree, ecc. A
The International Studio /June 1915 . asection to Belgian art, inwhich most of the artistsnamed above were repre-sented, but generally withless important works. ()neof the principal exhibits byMaurice Wagemans; andmention should also be made of some vigorous,very broadly painted sket-ches by John Michaux, an Antwerp marinist, andstudies by Dolf van Roy, F. Smeers, Ed. J. exhibition of the Womens International Art Club also contained some Belgian works : land-scape studies by Jenny Montigny, a pupil of Emile Claus, still-lifes by Alice Ronner, etchings by Mine. Danse - Destree, ecc. A most interesting feature of this exhibition was an extensive loan collection of ancient and modern lace, including remarkable specimens of English, Italian, French and Bel-gian work. We conclude the presentreview by mentioningan individual exhibition encountered elsewhere, such as James Ensor, LeonFrederic, Eugene Laermans, Th. van Rysselberghe,and others; but space does not permit of a fullernotice of these on the present MARIE LOUISE JJ BY EMILE VLOORS 269 i : \
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