. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . -.^^.—^•SaiaS ^2Z3if. §:«tit:M- H-Sliilte h:^-=Lt;r:=[:r:| j [„ u [^»*P^l~t-H-hi—I—-^- III Practice this Example, firft according to thefecond. or lower Staff. And when you have madethat periea, leave out the Notes which have Ba<r-gers over them (and in Inflrumental Mufia theBows which did exprefs them) and then it will bethe fame as the iirfl Staff. By this means youwin gQz a Habit of making thefe (hort Refis intheir due meafure. ^ The Notes you fee with one Dafh, or Stroketnrough rheir Tails,

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. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . -.^^.—^•SaiaS ^2Z3if. §:«tit:M- H-Sliilte h:^-=Lt;r:=[:r:| j [„ u [^»*P^l~t-H-hi—I—-^- III Practice this Example, firft according to thefecond. or lower Staff. And when you have madethat periea, leave out the Notes which have Ba<r-gers over them (and in Inflrumental Mufia theBows which did exprefs them) and then it will bethe fame as the iirfl Staff. By this means youwin gQz a Habit of making thefe (hort Refis intheir due meafure. ^ The Notes you fee with one Dafh, or Stroketnrough rheir Tails, are Qtiavers. Thofe withtwo Strokes arc Semiquavers. When they havethreSj they are Dmiji^mi^uavers. § 10. Of Rudiments of SoHG, n ^ lo* O/TniPL A Time, Tripla *TimeMinum Crotchets J QuauersSemiquavers R^

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