When we saw Frédérique, An Exclamation of Admiration Escaped both the Baron and Me Everett Shinn (American, 1876-1953). , 1906. Black conté crayon and watercolor on beige, medium thick, slightly textured wove paper, Sheet: 16 9/16 x 12 11/16 in. ( x cm). Shinn executed sixteen crayon drawings for the two-volume edition of Frédérique, by the racy and popular French novelist Paul de Kock (1793–1871); ten of these are now in the Brooklyn Museum’s collection. Frédérique was part of an ambitious, illustrated collector’s-edition series of de Kock’s translated works. Shinn, William Glackens
When we saw Frédérique, An Exclamation of Admiration Escaped both the Baron and Me Everett Shinn (American, 1876-1953). , 1906. Black conté crayon and watercolor on beige, medium thick, slightly textured wove paper, Sheet: 16 9/16 x 12 11/16 in. ( x cm). Shinn executed sixteen crayon drawings for the two-volume edition of Frédérique, by the racy and popular French novelist Paul de Kock (1793–1871); ten of these are now in the Brooklyn Museum’s collection. Frédérique was part of an ambitious, illustrated collector’s-edition series of de Kock’s translated works. Shinn, William Glackens, George Luks, John Sloan, and other artists of their circle produced illustrations for the series, which was only half-completed when the publisher went out of business, and the artists had trouble collecting all the money owed them for their work. American Art 1906
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Photo credit: © BBM / Alamy / Afripics
License: Licensed
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