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Georges Lemmen. Bourgeois Interior. 1890–1891. Belgium. Charcoal, with stumping and black Conté crayon, with touches of white gouache, on cream laid paper, fixed This important study for a lost painting of the same name made its debut at the annual exhibition of the Belgian avant-garde society Les XX (The Twenty) in 1891. Georges Seurat had shown A Sunday on La Grand Jatte (1884/86; in the Art Institute’s collection) there just four years before. The most ambitious of Lemmen’s first Neo-Impressionist works, the composition depicts his sister, mother, and grandmother.
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