The Lamentation, c. 1500 On a ground, Christ is stretched out on a line between Maria and Maria-Magdalena. In the background a small Calvary, on which a crop. Maria is sitting on her lap with the crowned head of Christ. She keeps her hands folded and has her head slightly aside. Christ's eyes are closed, the mouth is half open and the pierced hands are limp along the body. At his feet, Magdalena kneels, who holds the line blade with the left hand, while she wipes her tears with the right with a slip of the long narrow canvas, who hangs down from her turban. Maria is dressed in a robe with a ro
The Lamentation, c. 1500 On a ground, Christ is stretched out on a line between Maria and Maria-Magdalena. In the background a small Calvary, on which a crop. Maria is sitting on her lap with the crowned head of Christ. She keeps her hands folded and has her head slightly aside. Christ's eyes are closed, the mouth is half open and the pierced hands are limp along the body. At his feet, Magdalena kneels, who holds the line blade with the left hand, while she wipes her tears with the right with a slip of the long narrow canvas, who hangs down from her turban. Maria is dressed in a robe with a round neck cut, the mantle overlooked over the head falls back, so that her headscarf can be clearly seen. Magdalena wears a wide skirt and a close jacket that closes in front of the chest and including the shirt visible. The short puffed sleeves, trimmed with fringe, cross in wide flared sleeves; At the right pols you can still see a part of the sleeve of an underecore. On the partly loose, partly braided hair that hangs in a large loop on her shoulder, she wears a turban decorated with a small -needed turban, which is held under the chin by a scarf and of which she holds the end in the right hand. sculptor: Colognesculptor: Netherlands oak (wood) On a ground, Christ is stretched out on a line between Maria and Maria-Magdalena. In the background a small Calvary, on which a crop. Maria is sitting on her lap with the crowned head of Christ. She keeps her hands folded and has her head slightly aside. Christ's eyes are closed, the mouth is half open and the pierced hands are limp along the body. At his feet, Magdalena kneels, who holds the line blade with the left hand, while she wipes her tears with the right with a slip of the long narrow canvas, who hangs down from her turban. Maria is dressed in a robe with a round neck cut, the mantle overlooked over the head falls back, so that her headscarf can be clearly seen. Magdalena wears a wide skirt and a close jacket that closes in fr
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