. International studio. WINTER SUNRISE ON THE ALDE (OIL) {III the possession oj T. K. l\irkiugtPii, Esq.) BY K. G. COTMAN. IT —. Ill oc 1- < . 5 z OJ - H 5 o o o a u. LU r O I CJ o H ii: < o $S <^^ Qq 2 UJ- — CD ^ CC IT o g ^^ o I i The New English Art Club men who properly estimate the value of present-day achievement among the true supporters of thatsound tradition which is one of the best assets ofthe British School. As a member of the RoyalInstitute of Painters in Water Colours, to which hewas elected in 1882 when the fusion between theOld Dudley Gallery supporters and the
. International studio. WINTER SUNRISE ON THE ALDE (OIL) {III the possession oj T. K. l\irkiugtPii, Esq.) BY K. G. COTMAN. IT —. Ill oc 1- < . 5 z OJ - H 5 o o o a u. LU r O I CJ o H ii: < o $S <^^ Qq 2 UJ- — CD ^ CC IT o g ^^ o I i The New English Art Club men who properly estimate the value of present-day achievement among the true supporters of thatsound tradition which is one of the best assets ofthe British School. As a member of the RoyalInstitute of Painters in Water Colours, to which hewas elected in 1882 when the fusion between theOld Dudley Gallery supporters and the Institutewas arranged, he has helped by the consistentquality of his contributions to keep up the standardof pure water-colour work as it was practised bythe greater masters in the past. It is possible that some of the distinctivecharacter of Mr. Cotmans paintings is due to thefact that his training was carried out entirely inthis country. Unlike so many of the artists of ourtimes he has not studied abroad and has limitedhis excursions beyond the confines of the BritishIsl
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
