The American annual of photography . ches, especially the Catholic churches,and observe the coloring on windows and walls; take out and write down the various tints. Scripture subjectsshould be exceedingly rich in color—red, purple, blue, Italianpink and the greens predominate, and they should be coatedthree, four, or even five times, stoving after each. Ordinarylife model subjects can be left to the observation of the had intended giving further instructions, but am afraid oftaking up too much space, so will reserve them for some futureoccasion, and, in conclusion, would
The American annual of photography . ches, especially the Catholic churches,and observe the coloring on windows and walls; take out and write down the various tints. Scripture subjectsshould be exceedingly rich in color—red, purple, blue, Italianpink and the greens predominate, and they should be coatedthree, four, or even five times, stoving after each. Ordinarylife model subjects can be left to the observation of the had intended giving further instructions, but am afraid oftaking up too much space, so will reserve them for some futureoccasion, and, in conclusion, would strongly advise the studentof slide painting to leave alone varnish and other colors spe-cially prepared (so-called) for slide painting, as, except mskilful fingers, very little good can be done with them. As forthe aniline dyes—well, this is not paintmg or color—the leastsaid about them the better, perhaps. In the hands of any onewho can use their eyesight, fingers, and brains, the oil colorsof the artists palette are CAPT. THOS BALDWIN INHIS RED DEVIL. Copyright by J. H. Hare. 71
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Keywords: ., bookcentury1900, bookdecade1910, bookpublishernewyorktennantandw
