Landscape with Pavilion 1478–80 Kenkō Shōkei 賢江祥啓 A Chinese gentleman lounges against the parapet of a remote lakeside pavilion, his gaze captured by a waterfall plunging from precipitous peaks far above. The poetic inscription brushed by Tōgen Zuisen, a prominent Zen monk, ties the painted image to an ancient Chinese hermit who famously turned down a position at court in favor of spending his days fishing in isolation. Tōgen was an acquaintance of the artist, Kenkō Shōkei, a fellow Zen monk who journeyed from Kamakura to Kyoto in 1478 to study Chinese painting for three years. During that tim
Landscape with Pavilion 1478–80 Kenkō Shōkei 賢江祥啓 A Chinese gentleman lounges against the parapet of a remote lakeside pavilion, his gaze captured by a waterfall plunging from precipitous peaks far above. The poetic inscription brushed by Tōgen Zuisen, a prominent Zen monk, ties the painted image to an ancient Chinese hermit who famously turned down a position at court in favor of spending his days fishing in isolation. Tōgen was an acquaintance of the artist, Kenkō Shōkei, a fellow Zen monk who journeyed from Kamakura to Kyoto in 1478 to study Chinese painting for three years. During that time he created this landscape, his earliest known datable work, in the style of the Chinese painter Xia Gui (active ca. 1195–1230), whose pictures he had probably only just encountered for the first time in Chinese verse reads in four seven-character couplets:This world, who possesses it?Tranquil is this place, long separated from the dusty endless cascade soars as if a flock of egrets,the surface of a boundless lake ripples like the scales of a fish. Skiffs float beyond treetops and thatched eaves,a screen of spired peaks stands at the clouds’ edge. Why not share these fishing shallows with a throng of gulls?Oh how I long to visit Yan Ling at Fuchun!—Trans. Aaron Rio. Landscape with Pavilion 42346
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Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
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