. International Studio an Illustrated Magazine of Fine and Applied Art. supreme farewellto affectation. He canafford to leave ihis sort of ?estheticism as a means of advertisement to thosewith a reputation less assured. But Mr. Orpen is not the only painter whosework is not worthy of himself. There seems anapparent effort on Mr. Walter Cranes part to effacethe reputation of a lifetime by one canvas. record, too, is needed to support hisMiss Pauline Chase as Feter Fa7t, but his SignorTotsi is a successful portrait. Those who givesome of the chief elements of success to the exhi-bitio
. International Studio an Illustrated Magazine of Fine and Applied Art. supreme farewellto affectation. He canafford to leave ihis sort of ?estheticism as a means of advertisement to thosewith a reputation less assured. But Mr. Orpen is not the only painter whosework is not worthy of himself. There seems anapparent effort on Mr. Walter Cranes part to effacethe reputation of a lifetime by one canvas. record, too, is needed to support hisMiss Pauline Chase as Feter Fa7t, but his SignorTotsi is a successful portrait. Those who givesome of the chief elements of success to the exhi-bition are Messrs. W. W. Russell, E. A. Walton,William Nicholson, Alexander Jamieson, H. LeSidaner, G. Sauter, A. Ludovici, Emile Glaus,A. Mancini, J. L. Forain, F. Mura, and severalothers. The first four of these names are responsiblefor the best of the landscapes by painters of thiscountry. Mr. Neven du Monts picture of a stage scene, The Harlequinade, would, we think, have been altogether better as a smaller painting. The Winds of March by Max Bohm, La Cue ilie tie by. D0.\ JUAN I.\ HELL 1!V CHARLES RICKtTTS 5S The International Society s Exhibition
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Keywords: ., bookcentury1900, bookdecade1900, bookidinternationa, bookyear1908
