Donatello . Fig. 97. Square of S. Antonio in Padua with Equestrian Monument of Gattamelata. (To page 107.) I04. Fig. 98. Equestrian Monument of Gattamelata. a photograph from the original by Alinari Brothers, Florence. (To page gave to the sacristy of S. Lorenzo what is to-day called the finish of theinterior, and his quarrel with Brunelleschi about the bronze-doors proves,that here the decorater interfered with the work of the architect, and thatin a way which was displeasing to the latter. Thus it is not in itself incredible, that the most important change inthe scene of Do
Donatello . Fig. 97. Square of S. Antonio in Padua with Equestrian Monument of Gattamelata. (To page 107.) I04. Fig. 98. Equestrian Monument of Gattamelata. a photograph from the original by Alinari Brothers, Florence. (To page gave to the sacristy of S. Lorenzo what is to-day called the finish of theinterior, and his quarrel with Brunelleschi about the bronze-doors proves,that here the decorater interfered with the work of the architect, and thatin a way which was displeasing to the latter. Thus it is not in itself incredible, that the most important change inthe scene of Donatellos activity — his removal from Florence to Padua — I05
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Keywords: ., bo, bookcentury1900, bookdecade1900, booksubjectdonatello13861466
