International studio . a view of affordingfruitful comparison between .American and for-eign art, it would be manifestly unfair to arrayEuropean production in general as seen on thewalls of the Carnegie Institute against the re-stricted output of our own country. A justermethod would be to consider the Continentalcontributors indixidually. The Frenchmen are ad-mirably represented by numerous subjects whichfigured in the itinerant exhibition of the SocieteNouvelle as well as several additional numbers,the most important among the latter being HenriMartins Portrait of My Son, already mentioned,w
International studio . a view of affordingfruitful comparison between .American and for-eign art, it would be manifestly unfair to arrayEuropean production in general as seen on thewalls of the Carnegie Institute against the re-stricted output of our own country. A justermethod would be to consider the Continentalcontributors indixidually. The Frenchmen are ad-mirably represented by numerous subjects whichfigured in the itinerant exhibition of the SocieteNouvelle as well as several additional numbers,the most important among the latter being HenriMartins Portrait of My Son, already mentioned,which so ably continues the best traditions ofthe earlier Impressionist masters. Another manfollowing a similar pathway though possessing aneven more personal vision is Henry Le Sidaner,whose Fountain; Moonlight and The Seine and thePont Royal fully deserve their prominent positionon the wall of honor. It is as usual impossibleto see anywhere save in England a more compre-hensive resume of contemporary British artistic. Awarded Uonorable,MentionWINTER morning: EAST RIVER li\ WILLIAM KirsCllIXLXXXIX lutcniational Art at Pittsburgh
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