. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. concentric, and the normal ;^ijtil\ and sometimes they useother names ; but the move- %j,\ments, as appHed to humanexpression, would neverhave been systemized ex-cept for him. In this volumethey are not always inter-JH preted as in his system ; norare they developed into hisnine other movements. Ithas been thought more safefor theoretical purposes, as fig. 72 -sideclosinqqesTure. well as suf^cient for prac-closing , 152, tical purposes, to ascribe See pages^i40, 156, 156, 161
. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. concentric, and the normal ;^ijtil\ and sometimes they useother names ; but the move- %j,\ments, as appHed to humanexpression, would neverhave been systemized ex-cept for him. In this volumethey are not always inter-JH preted as in his system ; norare they developed into hisnine other movements. Ithas been thought more safefor theoretical purposes, as fig. 72 -sideclosinqqesTure. well as suf^cient for prac-closing , 152, tical purposes, to ascribe See pages^i40, 156, 156, 161. them, more fully than hedid, and confine them, to the antagonisms which existbetween the tendencies of the body and of the , too, the move-ments are correlated,as in the Delsartesystem they are not,to methods emploj-edin the other , while givingall due credit to thegreat French teacher,it is not necessary toascribe to him everysuggestion connected • U- i. TA- FIG. 74.—OBLIQUE With this subject. Di- backward into threes are See pages 62, 130 145,.
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