Le Corbeau, from "L'Artiste" February 6, 1859 Félix Bracquemond French This ominous image of ravens and gallows was published in the periodical "L’Artiste" on February 6, 1859. The first state of this print, without the text, had appeared in 1854, when Bracquemond began producing prints of birds filled with enigmatic symbolism, and often, social critique. In this etching, the raven, confrontationally engaging the viewer, symbolizes the black-robed lawyer. The shadow cast by the bird on the side of the gallows appears to be spewing Bracquemond’s poem, which in English reads: "Death’s cry, black
Le Corbeau, from "L'Artiste" February 6, 1859 Félix Bracquemond French This ominous image of ravens and gallows was published in the periodical "L’Artiste" on February 6, 1859. The first state of this print, without the text, had appeared in 1854, when Bracquemond began producing prints of birds filled with enigmatic symbolism, and often, social critique. In this etching, the raven, confrontationally engaging the viewer, symbolizes the black-robed lawyer. The shadow cast by the bird on the side of the gallows appears to be spewing Bracquemond’s poem, which in English reads: "Death’s cry, black plumage / I am the ravenous raven / Do you want to see what I’m like? / Ask a cop, or a crook." Bracquemond further amplified this menacing tone visually, through the stark contrasts between the heavy blacks and the minimal patches of white reserve, and through the dangling noose and cluster of squabbling Le Corbeau, from "L'Artiste" 384656
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Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
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