. The theory and practice of tone-relations; an elementary course of harmony with emphasis upon the element of melody . fefe^^^ m ** -^—^* C I- 7 F V- SCHUMANN 122 THE THEORY AND PRACTICE OF TONE-RELATIONS. Par. 232. *i) Cadence (semi-) in a minor, followed by the abrupt announcement of the /-minor connecting-link is c-c (mediant becoming dominant). — *2) Dom. semicadence in D,followed by the I of C. Connecting-link e-e (2d step becoming a mediant). — *$) Toniccadence; connecting-link e-e (dominant becoming mediant). — *4) Transient tonic cadence;connecting-link c-c (mediant becom

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. The theory and practice of tone-relations; an elementary course of harmony with emphasis upon the element of melody . fefe^^^ m ** -^—^* C I- 7 F V- SCHUMANN 122 THE THEORY AND PRACTICE OF TONE-RELATIONS. Par. 232. *i) Cadence (semi-) in a minor, followed by the abrupt announcement of the /-minor connecting-link is c-c (mediant becoming dominant). — *2) Dom. semicadence in D,followed by the I of C. Connecting-link e-e (2d step becoming a mediant). — *$) Toniccadence; connecting-link e-e (dominant becoming mediant). — *4) Transient tonic cadence;connecting-link c-c (mediant becoming tonic). — *5) Connecting-link a-a (mediant becomingdominant). — *6) Dom. semicadence in a minor, followed by the I of B-flat major. Thereis no common tone; this is a typical cade wee-modulation. — See also Ex. 201, No. 2, a typicalscqiience-modv\2A.\QYi. LESSON 50. Harmonize the following melodies and basses, with abrupt modulations as indicated: 1. *i) Seq. Seq. Seq. #—• Dom. it 53 f LJf-wriiJ H Med. Med. = Ton. Dom. bJ w. ** ± Ab Eb V Ton.— Med. Med.— Dom. ^ & ^r-tK=- ^ w- w- -!& Gb II *2) Ton, Bb la Med. G Med. rrr

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