. The story of Verona . nvm \ ^■1)$ It^M-lU : ill ^-. /J CHURCH OF S. ZENO, VERONA of S. Zeno. They have no particular character orstyle to distinguish them from other productions of asimilar kind. The balustrade that divides the navefrom the choir and that stands above the arches overthe crypt has on it a fine row of figures of our Lordand the twelve Apostles, a work that probably belongss 273 Ihe Story of Verona to the end of the thirteenth century, or to even earlierdays. The archways leading into the crypt are formed ofperfect semicircles (of Roman as opposed to Byzantineshape) and contrib
. The story of Verona . nvm \ ^■1)$ It^M-lU : ill ^-. /J CHURCH OF S. ZENO, VERONA of S. Zeno. They have no particular character orstyle to distinguish them from other productions of asimilar kind. The balustrade that divides the navefrom the choir and that stands above the arches overthe crypt has on it a fine row of figures of our Lordand the twelve Apostles, a work that probably belongss 273 Ihe Story of Verona to the end of the thirteenth century, or to even earlierdays. The archways leading into the crypt are formed ofperfect semicircles (of Roman as opposed to Byzantineshape) and contribute largely to the effect by whichthis low-lying and generally concealed portion of thechurch is brought into prominence. The pillars andcolumns in the crypt support a vaulted roof, throughwhich some of them pierce into the choir above andcarry on here the work begun on the lower of these columns are very graceful, and wouldalmost seem like feathers rising from the blocks ofsolid stone and masonry which are placed at limitedintervals abou
Size: 1848px × 1352px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1900, booki, bookpublisherlondonjmdent
